- Today 21:00 and then On Demand
Unique
among ancient poets, Ovid left us an autobiography, full of riveting
intimacy, as well as ironical and slippery self-justification. Using
Ovid's own words, brought to life by one of Britain's leading actors,
Simon Russell Beale, the film tells the story of the poet's fame, and
his fateful falling out with the most powerful man in the world, the
Roman emperor Augustus.
Born in Sulmona in
central Italy, Ovid moved to Rome to study law but, seduced by 'the muse
of poetry', he soon abandoned that career path. Part of Rome's
post-war, young generation, Ovid rose to spectacular fame with his poems
about sex - Love Affairs (Amores) and The Art of Love (Ars Amatoria) -
an amoral guide to seduction and adultery. Today some of his poems are
seen as problematic and even carry a health warning when studied in US
universities. But he is difficult to pigeonhole as he also took the
female side in a powerful series of fictional letters by women heroes.
By
his twenties he was a literary superstar and a thorn in the emperor's
side, his poetry of sex and seduction falling foul of the emperor's new
puritanism, which had even outlawed adultery. In the midst of a
sensational sex scandal involving his daughter, the Emperor Augustus
banished Ovid to the farthest edge of the empire - the wilds of the
Black Sea coast and the marshes of the Danube delta. It's a tale full of
sex, drama and scandal, but his banishment is still a mystery- as he
put it, 'my downfall was all because of a poem - and a mistake- and on
the latter my lips are sealed forever'.
Exile
in Romania was unbelievably harsh and dangerous, but worse for Ovid was a
sense of separation and loss. His poetry from the Black Sea has
inspired the European literature of exile for millennia, from Dante and
Petrarch to Mandelstam and Seamus Heaney. The poems, the mystery, and
Ovid's immense legacy in world literature and art, are discussed with
leading experts, who trace his influence on, among others, Titian,
Turner and even Bob Dylan, whose Modern Times album quarries Ovid's
exile poetry. His greatest and most influential work Metamorphoses, a
compendium of the great tales of Greek myth, became one of the core
texts of Western culture. Artistic director of the RSC, Greg Doran looks
at Ovid's influence on Shakespeare and the myths in the Metamorphoses
that pervade our art, music, and literature. Professor Alessandro
Schiesaro discusses Ovid and the postmodern imagination; Professor Roy
Gibson untangles his relations with Augustus; while Dr Jennifer
Ingleheart, author of a new study on Roman sexual politics, looks at
Ovid's ambition, psychology and influence. Lisa Dwan -the leading
interpreter of the drama of Samuel Beckett, another exile and Ovid fan,
explores the poet's use of the female voice and his poetry of exile,
which has influenced western writers and artists for the last two
millennia.
Following in Ovid's footsteps,
Michael Wood travels from the poet's birthplace in the beautiful town of
Sulmona, to the bright lights of the capital, Rome. Here we visit the
Houses of Augustus and Livia, recently opened after 25 years of
excavation and conservation. Inside the emperor's private rooms glow
with the colour of their newly restored frescoes. Wood then follows Ovid
into exile in Constanta in today's Romania, and on to the Danube delta,
where dramatic footage shows the Danube and the Black Sea frozen over
in winter just as Ovid described in his letters.
Throughout
the film Ovid's own words reveal an engaging personality: a voice of
startling modernity. 'He is funny, irreverent, focused on pleasure and
obsessed with sex' says Prof Roy Gibson. But, says Greg Doran, he is
also a poet of cruelty and violence, which especially fascinated
Shakespeare. Ovid raises very modern questions about the fluidity of
identity and gender, and the mutability of nature. He also explores the
relationship between writers and power and the experience of exile,
themes especially relevant in our time when, as Lisa Dwan observes,
exile has become part of the human condition. But above all, says
Michael Wood, Ovid is the Poet of Love, and 2,000 years after his death
he is back in focus as one of the world's greatest poets: ironical,
profound, and relevant.


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